日本販売熱望！
これ良い!
MIDIコントローラーもプリセットが増えたし ソフトシンセもラーン機能なんか出来るようになって かなり便利になってきたけど 自分は思いつきで音を鳴らしたまま書いて あとでマウスで修正が一番多い いくらフィジカルにフェーダーやつまみをって思っても 実際めんどくさくてやらないのが現状
だけどこのマウスならポインターだけつまみの上にのせとけば くるくる出来るんでしょ いいじゃ〜〜ん くるくる機能だけでも十分な価値あるよ
つまみだけじゃなく シーケンスソフトって時間軸で横スクロールを多様するからね 映像関係の人にも凄くいいんじゃないのかね
あ でも デザインがイマイチ饅頭みたいなので アルミとか黒で出して欲しい
http://www.orbitamouse.com/
It begins without meaning anything DJ activity though the back hair is pulled to the band activity in the latter half in one’s twenties. In the bar of resorting at that time, long play that lasts as many as eight hours every day though it is not asked is dared. The selection of the result of hunting hearing produces an original outlook on the world in the dance music not caught in the genre Rock / Punk / funk / jazz / electronica / dance music and eating everything.
Moreover, the production activity begins in 2006. It participates in “FUTIC RECORDINGS TOKYO COMPILATION 01″ of KO KIMURA as two future rings. As a manipulator following KO KIMURA, it is a music offer, and Berbesso & in “Dance Dance Revolution Universe 2″ of US KONAMI in 2007; ‘Revolutionary’ that is the remix releases the music of Michael Mishima from label PROGRESS RECORDINGS of Tony Thomas in world wide, unit “MODEWARP” with KO KIMURA is started in 2008, and it releases it from FUTIC RECORDINGS TOKYO by a digital delivery including the remix work every month “BEATPORT” http://www.beatport.com.
